The multi-talented musicians were held back in their home country where even certain instruments were off limits – but they’re ready to take centre stage at Worthy Farm

Walking into an industrial estate in Peckham, I can hear impassioned cries coming out of a rehearsal space located here. Soaring vocals are punctuated by the gentle strum of a thumb piano along with bells that are strapped to the shaking ankles of Pendo and Leah Zawose, who make up the Zawose Queens. It’s their first time playing this music outside Tanzania – and if that wasn’t enough of a culture shock, some of their first-ever UK gigs will be a trio of sets at Glastonbury this weekend.

“We don’t really have any idea about Glastonbury or what it will be like,” says Pendo, via Aziza Ongala who is the band’s manager and acting as a translator. “But I’m told it’s a big deal. I’m not sure we’re going to be able to grasp how big of an experience it is until we actually do it but we’re very excited.”

From A-list pop names such as SZA and Dua Lipa to rising stars and leftfield oddities, here’s who to try and catch at this year’s festival

There have been the usual Facebook-comment grumbles about how there’s too much bloody pop, but at the very top of Glastonbury’s Pyramid this year is a formidable trio: high-production dance from Dua Lipa (Fri, 22.00), quintessential flag-waving whoa-oh-oh-alongs from Coldplay (Sat, 21.45) and a new flavour for a Pyramid headliner: atmospheric, emotionally intelligent R&B from SZA (Sun, 21.30). Elsewhere, there are ample party-starters in Jessie Ware (West Holts, Sat, 22.15), Jamie xx (Woodsies, Fri, 22.30) teasing his long-awaited new album, LCD Soundsystem (Pyramid stage, Fri, 19.45) and Confidence Man (Other stage, Fri, 15.45). PJ Harvey (Pyramid stage, Fri, 18.00), Little Simz (Pyramid stage, Sat, 19.45), Brittany Howard (West Holts, Sun, 18.30), Corinne Bailey Rae (West Holts, Sat, 16.00) and Kim Gordon (Woodsies, Sun, 18.30) offer various shades of provocation; and Danny Brown (West Holts, Fri, 18.30) and the National (Other stage, Sun, 21.45) essay middle age from fairly polarised perspectives. And after the reformed, original Sugababes (West Holts, Fri, 16.55) packed the Avalon field to bursting in 2022, it seems as though Avril Lavigne (Other stage, Sun, 18.00) will be this year’s hottest nostalgia ticket for the festival’s millennial core. Laura Snapes

As he plays Glastonbury and prepares a Fabric mix, Skinner answers your questions on his film debut, dinners with Chris Martin and the secret to true happiness

Why haven’t you gone on tour and performed A Grand Don’t Come for Free to celebrate its 20-year anniversary? Turangaleela2
I don’t tend to look back. I’ve only ever really done what was in front of me at the time. It’s great to sing the old stuff, but as a musician your old songs pay for you to write new ones, even if no one wants them. I know people like Liam [Gallagher] and Dizzee [Rascal] have done the anniversary thing, but I don’t really need the money and I think for your own sanity you have to at least pretend that you’re doing things that are important right now.

I read in your memoir, The Story of the Streets, that you read books by Hollywood screenwriters while you were writing A Grand Don’t Come for Free. Did they come in handy for your film debut [The Darker the Shadow, the Brighter the Light]? JJethwa
I actually went to see [the screenwriting consultant] Robert McKee, who’s Hollywood in every way – a sort of very aggressive, no-nonsense American. There’s a hell of a lot to take in, but ultimately it comes down to the basics: show, don’t tell; start with an idea and finish with the same one; have the characters act out your ideas in a very physical way.