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Unicorns review – drama of queer south Asian club culture with added superstar drag queens

Jason Patel is excellent as drag queen Aysha in Sally El Hosaini’s new film, but the scenes where Aysha visits her parents as Ashiq really steal the show

Welsh-Egyptian film-maker Sally El Hosaini made a supremely confident debut in 2012 with My Brother the Devil, about a young gay Muslim drug dealer in Hackney. After following up with last year’s refugee drama The Swimmers, she is back exploring queer south Asian culture. Co-directing Unicorns with James Krishna Floyd (the star of My Brother the Devil), who wrote the script, El Hosaini brings a streak of hopefulness to gritty social realism, with the added attraction of superstar drag queens.

At the centre of the film are a pair of heartfelt performances. Ben Hardy is Luke, a straight white mechanic struggling to bring up his five-year-old son as a single dad. One night, Luke accidentally finds himself on the dancefloor of a gay Asian – β€œgaysian” – club night and kisses drag queen Aysha (Jason Patel), thinking she’s a cis woman. When he realises she’s not, Luke is appalled. But Aysha is smitten, and hires him to drive her to private gigs. Aysha dances at gay house parties where the security is heavy: entry by password only, bouncers on the door. Aysha explains to Luke the risks of being out, showing him death threats on her phone: β€œDie bitch!” (The film is executive produced by Muslim drag queen Asifa Lahore, and I wondered how much these glimpses into a gay south Asian party scene are inspired by real life).

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Β© Photograph: Film PR handout undefined

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Β© Photograph: Film PR handout undefined

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