Enlarge / A mysterious assassin is targeting Jedi masters in The Acolyte. (credit: Disney+)

The Star Wars franchise is creeping up on the 50-year mark for the original 1977 film that started it all, and Disney+ has successfully kept things fresh with its line of live-action Star Wars spinoff series. The Mandalorian and Andor were both unquestionably popular and critical successes, while The Book of Boba Fett ultimately proved disappointing, focusing less on our favorite bounty hunter and more on setting up the third season of The Mandalorian. Obi-Wan Kenobi and Ahsoka fell somewhere in between, bolstered by strong performances from its leads but often criticized for sluggish pacing.

It's unclear where the latest addition to the TV franchise, The Acolyte, will ultimately fall, but the first five episodes aired thus far bode well for its place in the growing canon. The series eschews the usual Star Wars space-battle fare for a quieter, space Western detective story—who is killing the great Jedi masters of the galaxy?—with highly choreographed fight scenes that draw heavily from the martial arts. And like its predecessors, The Acolyte is recognizably Star Wars. Yet it also boasts a unique aesthetic style that is very much its own.

(Spoilers below for episodes 1 through 5 of The Acolyte.)

Enlarge / Painting of a gryphon, or griffin, a lion-raptor chimera from ancient folklore. (credit: Mark Witton)

The gryphon, or griffin, is a legendary creature dating back to classical antiquity, sporting the body, legs, and tail of a lion and the wings, head, and front talons of an eagle. Since the 1980s, a popular "geomyth" has spread that the griffin's unique appearance was inspired by the fossilized skeleton of a horned dinosaur known as Protoceratops. It's a fascinating and colorful story, but according to the authors of a new paper published in the journal Interdisciplinary Science Reviews, there is no hard evidence to support such a connection.

"Everything about griffin origins is consistent with their traditional interpretation as imaginary beasts, just as their appearance is entirely explained by them being [mythological] chimeras of big cats and raptorial birds," said co-author Mark Witton, a paleontologist at the University of Portsmouth. "Invoking a role for dinosaurs in griffin lore, especially species from distant lands like Protoceratops, not only introduces unnecessary complexity and inconsistencies to their origins, but also relies on interpretations and proposals that don’t withstand scrutiny.”

There are representations of griffin-like creatures in ancient Egyptian art dated to before 3000 BCE, while in ancient Greek and Roman texts the creatures were associated with gold deposits in Central Asia. By the Middle Ages, griffins were common figures in medieval iconography and in heraldry. The hippogriff named Buckbeak in Harry Potter and the Prisoner of Azkaban is a related mythical creature, the product of a griffin and a mare.

Enlarge / Enhanced Juno image of Jupiter’s Great Red Spot in 2018. It is likely not the same one observed by Cassini in the 1600s. (credit: Gerald Eichstadt and Sean Doran/CC BY-NC-SA)

The planet Jupiter is particularly known for its so-called Great Red Spot, a swirling vortex in the gas giant's atmosphere that has been around since at least 1831. But how it formed and how old it is remain matters of debate. Astronomers in the 1600s, including Giovanni Cassini, also reported a similar spot in their observations of Jupiter that they dubbed the "Permanent Spot." This prompted scientists to question whether the spot Cassini observed is the same one we see today. We now have an answer to that question: The spots are not the same, according to a new paper published in the journal Geophysical Research Letters.

“From the measurements of sizes and movements, we deduced that it is highly unlikely that the current Great Red Spot was the ‘Permanent Spot’ observed by Cassini,” said co-author Agustín Sánchez-Lavega of the University of the Basque Country in Bilbao, Spain. “The ‘Permanent Spot’ probably disappeared sometime between the mid-18th and 19th centuries, in which case we can now say that the longevity of the Red Spot exceeds 190 years.”

The planet Jupiter was known to Babylonian astronomers in the 7th and 8th centuries BCE, as well as to ancient Chinese astronomers; the latter's observations would eventually give birth to the Chinese zodiac in the 4th century BCE, with its 12-year cycle based on the gas giant's orbit around the Sun. In 1610, aided by the emergence of telescopes, Galileo Galilei famously observed Jupiter's four largest moons, thereby bolstering the Copernican heliocentric model of the solar system.

Enlarge / New research lends further credence to the "population crash" theory about Easter Island being just a myth. (credit: Arian Zwegers/CC BY 2.0)

For centuries, Western scholars have touted the fate of the native population on Easter Island (Rapa Nui) as a case study in the devastating cost of environmentally unsustainable living. The story goes that the people on the remote island chopped down all the trees to build massive stone statues, triggering a population collapse. Their numbers were further depleted when Europeans discovered the island and brought foreign diseases, among other factors. But an alternative narrative began to emerge in the 21st century that the earliest inhabitants actually lived quite sustainably until that point. A new paper published in the journal Science Advances offers another key piece of evidence in support of that alternative hypothesis.

As previously reported, Easter Island is famous for its giant monumental statues, called moai, built some 800 years ago and typically mounted on platforms called ahu. Scholars have puzzled over the moai on Easter Island for decades, pondering their cultural significance, as well as how a Stone Age culture managed to carve and transport statues weighing as much as 92 tons. The first Europeans arrived in the 17th century and found only a few thousand inhabitants on a tiny island (just 14 by 7 miles across) thousands of miles away from any other land. Since then, in order to explain the presence of so many moai, the assumption has been that the island was once home to tens of thousands of people.

But perhaps they didn't need tens of thousands of people to accomplish that feat. Back in 2012, Carl Lipo of Binghamton University and Terry Hunt of the University of Arizona showed that you could transport a 10-foot, 5-ton moai a few hundred yards with just 18 people and three strong ropes by employing a rocking motion. [UPDATE: An eagle-eyed reader alerted us to the 1980s work of Czech experimental archaeologist Pavel Pavel, who conducted similar practical experiments on Easter Island after being inspired by Thor Heyerdahl's Kon Tiki. Pavel concluded that just 16 men and one leader were sufficient to transport the statues.]

Enlarge / A Sixgill Hagfish (Eptatretus hexatrema) in False Bay, South Africa. (credit: Peter Southwood/CC BY-SA 4.0)

The humble hagfish is an ugly, gray, eel-like creature best known for its ability to unleash a cloud of sticky slime onto unsuspecting predators, clogging the gills and suffocating said predators. That's why it's affectionately known as a "snot snake." Hagfish also love to burrow into the deep-sea sediment, but scientists have been unable to observe precisely how they do so because the murky sediment obscures the view. Researchers at Chapman University built a special tank with transparent gelatin to overcome this challenge and get a complete picture of the burrowing behavior, according to a new paper published in the Journal of Experimental Biology.

“For a long time we’ve known that hagfish can burrow into soft sediments, but we had no idea how they do it," said co-author Douglas Fudge, a marine biologist who heads a lab at Chapman devoted to the study of hagfish. "By figuring out how to get hagfish to voluntarily burrow into transparent gelatin, we were able to get the first ever look at this process.”

As previously reported, scientists have been studying hagfish slime for years because it's such an unusual material. It's not like mucus, which dries out and hardens over time. Hagfish slime stays slimy, giving it the consistency of half-solidified gelatin. That's due to long, thread-like fibers in the slime, in addition to the proteins and sugars that make up mucin, the other major component. Those fibers coil up into "skeins" that resemble balls of yarn. When the hagfish lets loose with a shot of slime, the skeins uncoil and combine with the salt water, blowing up more than 10,000 times its original size.

Enlarge / Michigan's State Maritime Archaeologist Wayne R. Lusardi takes notes underwater at the Lake Huron WWII wreckage of 2nd Lt. Frank Moody's P-39 Airacobra. Moody, one of the famed Tuskagee Airmen, fatally crashed in 1944. (credit: National Geographic)

In April 1944, a pilot with the Tuskegee Airmen, Second Lieutenant Frank Moody, was on a routine training mission when his plane malfunctioned. Moody lost control of the aircraft and plunged to his death in the chilly waters of Lake Huron. His body was recovered two months later, but the airplane was left at the bottom of the lake—until now. Over the last few years, a team of divers working with the Tuskegee Airmen National Historical Museum in Detroit has been diligently recovering the various parts of Moody's plane to determine what caused the pilot's fatal crash.

That painstaking process is the centerpiece of The Real Red Tails, a new documentary from National Geographic narrated by Sheryl Lee Ralph (Abbot Elementary). The documentary features interviews with the underwater archaeologists working to recover the plane, as well as firsthand accounts from Moody's fellow airmen and stunning underwater footage from the wreck itself.

The Tuskegee Airmen were the first Black military pilots in the US Armed Forces and helped pave the way for the desegregation of the military. The men painted the tails of their P-47 planes red, earning them the nickname the Red Tails. (They initially flew Bell P-39 Airacobras like Moody's downed plane, and later flew P-51 Mustangs.) It was then-First Lady Eleanor Roosevelt who helped tip popular opinion in favor of the fledgling unit when she flew with the Airmen's chief instructor, C. Alfred Anderson, in March 1941. The Airmen earned praise for their skill and bravery in combat during World War II, with members being awarded three Distinguished Unit Citations, 96 Distinguished Flying Crosses, 14 Bronze Stars, 60 Purple Hearts, and at least one Silver Star.

In December 2019, astronomers were surprised to observe a long-quiet galaxy, 300 million light-years away, suddenly come alive, emitting ultraviolet, optical, and infrared light into space. Far from quieting down again, by February of this year, the galaxy had begun emitting X-ray light; it is becoming more active. Astronomers think it is most likely an active galactic nucleus (AGN), which gets its energy from supermassive black holes at the galaxy's center and/or from the black hole's spin. That's the conclusion of a new paper accepted for publication in the journal Astronomy and Astrophysics, although the authors acknowledge the possibility that it might also be some kind of rare tidal disruption event (TDE).

The brightening of SDSS1335_0728 in the constellation Virgo, after decades of quietude, was first detected by the Zwicky Transient Facility telescope. Its supermassive black hole is estimated to be about 1 million solar masses. To get a better understanding of what might be going on, the authors combed through archival data and combined that with data from new observations from various instruments, including the X-shooter, part of the Very Large Telescope (VLT) in Chile's Atacama Desert.

There are many reasons why a normally quiet galaxy might suddenly brighten, including supernovae or a TDE, in which part of the shredded star's original mass is ejected violently outward. This, in turn, can form an accretion disk around the black hole that emits powerful X-rays and visible light. But these events don't last nearly five years—usually not more than a few hundred days.

Enlarge / Ryan Gosling in The Fall Guy. (credit: Universal Pictures)

Ryan Gosling plays a Hollywood stuntman in the new action comedy The Fall Guy, a loose adaptation of the popular 1980s TV series of the same name starring Lee Majors. Gosling even did a few of his own stunts, although professional stunt performers handled the most dangerous sequences. It's their job to assume the risk so the stars don't get injured but that can translate into a high rate of head injuries in particular. According to a study published in the Journal of Occupational Medicine and Toxicology, a significant fraction of stunt performers never report such injuries, largely because it's a competitive industry, and they are afraid of losing work. The impacts can lead to more serious cognitive issues later in life.

“Many stunt performers are afraid to report their injuries, especially head trauma, in fear they will be put on a do-not-hire list or looked at as a liability,” said co-author Jeffrey Russell of Ohio University. “The more injuries or trauma, the harder it may be to find work. But that should not be how it is; production companies and their unions should be ensuring stunt performers are taken care of and not reprimanded for any injuries sustained on the job.”

The work builds on Russell's prior research, published last year, looking at the prevalence of head trauma and concussion in stunt performers and how well such injuries are managed. The prevalence of such injuries means that stunt performers are at high risk for chronic traumatic encephalopathy (CTE)—a degenerative brain disease associated with a history of repetitive head impacts that is a cause of much concern in collision sports like football and ice hockey—over the course of their careers.

Enlarge / US Embassy Australia employees learning to do the Nutbush to honor the late Tina Turner in 2023. (credit: Screenshot/US Embassy Australia on X)

The whole world mourned the passing of music legend Tina Turner last year, perhaps none more so than Australians, who have always had a special fondness for her. That's not just because of her star turn as Aunty Entity in 1985's Mad Max Beyond Thunderdome or her stint as the face of Australia's rugby league.

Australians of all ages have also been performing a line dance called the "Nutbush" at weddings and social events to Turner's hit single (with then-husband Ike Turner) "Nutbush City Limits." Turner herself never performed the dance, but when she died, there was a flood of viral TikTok videos of people performing the Nutbush in her honor—including members of the US Embassy in Canberra, who had clearly just learned it for the occasion. Dancers at the 2023 Mundi Mundi Bash in a remote corner of New South Wales set a world record with 6,594 dancers performing the Nutbush at the same time.

The exact origin of the dance remains unknown, but researchers at the University of South Australia think they understand how the Nutbush became so ubiquitous in Australia, according to a paper published in the journal Continuum. “What we seem to know is that there was a committee in the New South Wales education department that devised the idea of the Nutbush,” co-author Jon Stratton told the Guardian. “Whether they devised the dance itself, we don’t really know. But what’s interesting is that nobody has come forward.”

Enlarge / Ernest Shackleton died on board the Quest in 1922. Forty years later, the ship sank off Canada's Atlantic Coast. (credit: Tore Topp/Royal Canadian Geographical Society)

Famed polar explorer Ernest Shackleton famously defied the odds to survive the sinking of his ship, Endurance, which became trapped in sea ice in 1914. His luck ran out on his follow-up expedition; he died unexpectedly of a heart attack in 1922 on board a ship called Quest. The ship survived that expedition and sailed for another 40 years, eventually sinking in 1962 after its hull was pierced by ice on a seal-hunting run. Shipwreck hunters have now located the remains of the converted Norwegian sealer in the Labrador Sea, off the coast of Newfoundland, Canada. The wreckage of Endurance was found in pristine condition in 2022 at the bottom of the Weddell Sea.

The Quest expedition's relatively minor accomplishments might lack the nail-biting drama of the Endurance saga, but the wreck is nonetheless historically significant. "His final voyage kind of ended that Heroic Age of Exploration, of polar exploration, certainly in the south," renowned shipwreck hunter David Mearns told the BBC. "Afterwards, it was what you would call the scientific age. In the pantheon of polar ships, Quest is definitely an icon."

As previously reported, Endurance set sail from Plymouth, Massachusetts, on August 6, 1914, with Shackleton joining his crew in Buenos Aires, Argentina. By January 1915, the ship had become hopelessly locked in sea ice, unable to continue its voyage. For 10 months, the crew endured the freezing conditions, waiting for the ice to break up. The ship's structure remained intact, but by October 25, Shackleton realized Endurance was doomed. He and his men opted to camp out on the ice some two miles (3.2 km) away, taking as many supplies as they could with them.

Enlarge / Detail from the reconstructed stone tzompantli, or skull rack, at Chichén Itzá, evidence of ritual human sacrifice. (credit: Christina Warinner)

Inhabitants of the ancient Maya city of Chichén Itzá are well-known for their practice of ritual human sacrifice. The most prevalent notion in the popular imagination is that of young Maya women being flung alive into sink holes as offerings to the gods. Details about the cultural context for these sacrifices remain fuzzy, so scientists conduced genetic analysis on ancient remains of some of the sacrificial victims to learn more. That analysis confirmed the prevalence of male sacrifices, according to a new paper published in the journal Nature, often of related children (ages 6 to 12) from the same household—including two pairs of identical twins.

Chichén Itzá ("at the mouth of the well of the Itzá") is located in Mexico's eastern Yucatán. It was one of the largest of the Maya cities, quite possibly one of the mythical capital cities (Tollans) that are frequently mentioned in Mesoamerican literature. It's known for its incredible monumental architecture, such as the Temple of Kukulcán ("El Castillo"), a step pyramid honoring a feathered serpent deity. Around the spring and fall equinoxes, there is a distinctive light-and-shadow effect that creates the illusion of a serpent slithering down the staircase. There is also a well-known acoustical effect: clap your hands at the base of the staircases and you'll get an echo that sounds eerily like a bird's chirp—perhaps mimicking the quetzal, a brightly colored exotic bird native to the region and prized for its long, resplendent tail feathers.

The Great Ball Court (one of 13 at the site) is essentially a whispering gallery: even though it is 545 feet long and 225 feet wide, a whisper at one end can be heard clearly at the other. The court features slanted benches with sculpted panels depicting aspects of Maya ball games—which were not just athletic events but also religious ones that often involved ritual sacrifices of players by decapitation.

Enlarge / Artist’s rendition of how the angle of polarized light from a fast radio burst changes as it journeys through space. (credit: CHIME/Dunlap Institute)

Astronomers have been puzzling over the origins of mysterious fast radio bursts (FRBs) since the first one was spotted in 2007. Researchers now have their first look at non-repeating FRBs, i.e., those that have only produced a single burst of light to date. The authors of a new paper published in The Astrophysical Journal looked specifically at the properties of polarized light emitting from these FRBs, yielding further insight into the origins of the phenomenon. The analysis supports the hypothesis that there are different origins for repeating and non-repeating FRBs.

“This is a new way to analyze the data we have on FRBs. Instead of just looking at how bright something is, we’re also looking at the angle of the light’s vibrating electromagnetic waves,” said co-author Ayush Pandhi, a graduate student at the University of Toronto's Dunlap Institute for Astronomy and Astrophysics. “It gives you additional information about how and where that light is produced and what it has passed through on its journey to us over many millions of light years.”

As we've reported previously, FRBs involve a sudden blast of radio-frequency radiation that lasts just a few microseconds. Astronomers have over a thousand of them to date; some come from sources that repeatedly emit FRBs, while others seem to burst once and go silent. You can produce this sort of sudden surge of energy by destroying something. But the existence of repeating sources suggests that at least some of them are produced by an object that survives the event. That has led to a focus on compact objects, like neutron stars and black holes—especially a class of neutron stars called magnetars—as likely sources.

Enlarge / Artificially modified skull from a female Viking individual in Havor, Hablingbo parish, Gotland. (credit: © SHM/Johnny Karlsson 2008-11-05/CC BY 2.5 SE)

German archaeologists discovered that the skulls of three medieval Viking women found on the Swedish island of Gotland in the Baltic Sea showed evidence of an unusual procedure to elongate their skulls. The process gave them an unusual and distinctive appearance, according to a paper published in the journal Current Swedish Archaeology. Along with evidence that the Viking men from the island may have deliberately filed their teeth, the discovery sheds light on the role body modification may have played in Viking culture

When people hear about Viking body modification, they probably think of Viking tattoos, particularly since the History Channel series Vikings popularized that notion. But whether actual Vikings sported tattoos is a matter of considerable debate. There is no mention of tattoos in the few Norse sagas and poetry that have survived, although other unusual physical characteristics are often mentioned, such as scars.

The only real evidence comes from a 10th century travel account by an Arab traveler and trader named Ahmad Ibn Fadlan, whose travel account, Mission to the Volga, describes the Swedish Viking traders ("Rusiyyah") he met in the Middle Volga region of Russia. "They are dark from the tips of their toes right up to their necks—trees, pictures, and the like," Ibn Fadlan wrote. But the precise Arabic translation is unclear, and there is no hard archaeological evidence, since human skin typically doesn't preserve for centuries after a Viking burial.

Enlarge / Light painting reveals a cloud of particulates on Airport Road, Addis Ababa, Ethiopia (PM2.5 10-20 micrograms per cubic meter). (credit: Robin Price)

Light painting is a technique used in both art and science that involves taking long-exposure photographs while moving some kind of light source—a small flashlight, perhaps, or candles or glowsticks—to essentially trace an image with light. A UK collaboration of scientists and artists has combined light painting with low-cost air pollution sensors to visualize concentrations of particulate matter (PM) in select locations in India, Ethiopia, and Wales. The objective is to creatively highlight the health risks posed by air pollution, according to a new paper published in the journal Nature Communications.

“Air pollution is the leading global environmental risk factor," said co-author Francis Pope, an environmental scientist at the University of Birmingham in the UK who spearheaded the Air of the Anthropocene project with artist Robin Price. "[The project] creates spaces and places for discussions about air pollution, using art as a proxy to communicate and create dialogues about the issues associated with air pollution. By painting with light to create impactful images, we provide people with an easy-to-understand way of comparing air pollution in different contexts—making something that was largely invisible visible."

Light painting has been around since 1889, when Étienne-Jules Marey and Georges Demeny, who were investigating the use of photography as a scientific tool to study biological motion, created the first known light painting called Pathological Walk From in Front. In 1914, Frank and Lillian Mollier Gilbreth tracked the motion of manufacturing and clerical workers using light painting techniques, and in 1935, Man Ray "signed" his Space Writing series with a penlight—a private joke that wasn't discovered until 74 years later by photographer/historian Ellen Carey in 2009.

Enlarge (credit: Tondini, Isidro, Camarós, 2024.)

The 4,000-year-old skull and mandible of an Egyptian man show signs of cancerous lesions and tool marks, according to a recent paper published in the journal Frontiers in Medicine. Those marks could be signs that someone tried to operate on the man shortly before his death or performed the ancient Egyptian equivalent of an autopsy to learn more about the cancer after death.

“This finding is unique evidence of how ancient Egyptian medicine would have tried to deal with or explore cancer more than 4,000 years ago,” said co-author Edgard Camarós, a paleopathologist at the University of Santiago de Compostela. “This is an extraordinary new perspective in our understanding of the history of medicine.”

Archaeologists have found evidence of various examples of primitive surgery dating back several thousand years. For instance, in 2022, archaeologists excavated a 5,300-year-old skull of an elderly woman (about 65 years old) from a Spanish tomb. They determined that seven cut marks near the left ear canal were strong evidence of a primitive surgical procedure to treat a middle ear infection. The team also identified a flint blade that may have been used as a cauterizing tool. By the 17th century, this was a fairly common procedure to treat acute ear infections, and skulls showing evidence of a mastoidectomy have been found in Croatia (11th century), Italy (18th and 19th centuries), and Copenhagen (19th or early 20th century).